Tag Archives: Blockbuster

Barry’s very bad day: bye, bye Blockbusters

blockbusterAnd so it was finally fade to black, eject, roll credits for Blockbuster UK which closed its return boxes for the final time ever last weekend.

You Only Live Twice

It had seen more back from the dead endings than Freddy Krueger and its final gasp was almost as drawn out as the end to Lord of the Rings: Return of the King as it had gone into receivership twice this year alone.

I’d had two stints working for Blockbuster, once in around 2001 – 2004 over in Kent and then again in Essex in 2012-2013. It was a store that had changed in some minor ways, but at the same time it hadn’t in most, which is probably what saw it hurtle toward its final destination.

Barry, and his bad day, just in case anyone is wondering, is the name of a training video infamous with employees as it was that old, had generally poor acting and was laughably bad. Barry of the title role was played by the bloke in charge o the market on EastEnders and onetime voice of the CoCo Pops Monkey! Yes, we’ll we’d rather have had a bowl of said turning milk choclatey cereal as well…thankfully there wasn’t a sequel!

I’d only ever worked part-time at Blockbuster so I always found it a fun way for some extra money, you got seven free rentals a week and money off games and films to buy…as a film buff what wasn’t there to like! As a (still) budding screenwriter the video store worker leap by Tarantino to script doctor and film director wasn’t entirely lost on me either.

My first interview for Blockbuster was also probably the most fun I ever had at an interview, having to explain why Jaws was my favourite film.

There were distinct side effects to working at Blockbuster though and you got spot the signs of an employee a mile off! Mine manifested itself as lacking the inability to open a VHS, DVD or Bluray if someone hands me one (outside of blue uniform) to check if it is there/the correct one, and ordering my DVD collection in genres – I didn’t quite go as far as having a top ten!

Ah, the top ten, if you just didn’t know what you wanted you would look at the top ten, well you did in my first stint but by my return they had done away with it – fools! There was also blocking, nothing to do with The Karate Kid, but more on that later.

Star Wars

Sometimes my first stint at Blockbuster could by fairly surreal as we had several famous people come and use it. I remember serving former javelin thrower Steve Backley (no he didn’t chuck his rentals at me) and Craig Fairbrass AKA Dan from EastEnders as he was at the time ( also see London’s Burning, Cliffhanger – we had it on our shelves but he never rented it I checked – White Noise 2 and The Sarah Conner Chronicles).

I even remember having to say to him once that he had an unpaid fine on his account (gulp) and I half expected the duff duffs to kick in when I’d made the announcement.

Of course they weren’t the only celebs to use Blockbuster. It wasn’t my store but famously in 1999 (I’m sure it was then) when Tom Cruise was filming Eyes Wide Shut he tried to rent a film from Blockbuster only to be asked for his ID or membership, of course he didn’t have any, apart from the countless films lining the shelves…not deemed sufficient proof he was denied rental and left bored on the 4th of July (perhaps). A true Mission: Impossible for the A-lister but far from being in a daze of thunder he seemed to take it all in good humour. Cue smile.

Be Kind, Rewind

Oddly at my first store they also trialled selling wine and beer, a hit with us in store but it didn’t seem to last very long or make its way across all stores.

That first store was also very much VHS, sure DVD was on the shelves but the tape was still the dominant species, which meant sore hands from pulling out and whacking in the yellow plastic sticks that tried to thwart thieves. And we had to rewind the bastards each time someone never rewound a tape back…I’ll never get that time back as I stand between two tape machines as they insistently scream back in fast rewind – it always sounded like the speeding simulator that Roger Moore gets trapped in Moonraker to me.

Lost in Translation

And because we had VHS (boo hiss pan and scan full screen at that) that meant that when we got films like Crouching Tiger, Hidden Dragon we got them in both the subtitled and dubbed version and not only did people not know it was a foreign language film (really?) but we had to double-check that they knew when renting at which point people look repulsed. Okay, so the title is in English but the German Das Experiment (the clue is in the title) had exactly the same problem…it’s not about a fricking washing powder! And despite it having a German flag on the back and the blurb, language from country of origin, didn’t seem to matter one jot! I didn’t know what the German flag looked like was the common reply…of course with DVD you often have language and dubbing options.

My personal fave has to be the Jean Reno films, which are made in French but he even re dubs himself!

So, the video may have well and truly vanished when I started my second spell at Blockbuster but I still have a soft spot, more of a fond memory , of big box video. Of course by then it was both DVD and Bluray and although you always had tracking or sound issues with the odd VHS, DVDs could often be found to be scratched to buggery as if people have worn it on the bottom of their shoes performing a tap routine on their way back to the store…or perhaps cos it isn’t theirs, people don’t look after it.

Certainly one of the few perks on buying ex rental DVD as an employee was that you were able to tell how many times something had been rented and compare and contrast the 20 or so copies that may have gone to ex-rental.

With the move to Bluray, this I largely found was not a problem. The only problem was that if you weren’t careful you could have quite easily spent half of your wages on items in store as it was a little bit like being a kid in a sweet shop. A bit like when major incidents have taken place in earth’s history and paleontologists can tell just by looking at layers of soil when there was an ice age or a great flood, the same can be said with my film collection which probably features more films from the #Blockbuster periods’ than any other.

The Box

The constant enemy of any Blockbuster employee was the drop box, a fiendishly simple device that acted as a post box for returned films…unless it was taped over…I say constant enemy as on nights through the weekend and after the weekend, especially if it was three for three nights or three for £10, there would be a river of films to scan in.

There was only so many you could humanly carry at once, cue tower of films crashing to the floor when being a tad over ambitious, but I always found it worse when it had been raining and the boxes were wet and ended up practically sticking together.

Um, talking of things sticking together, first time round at the store Blockbuster merrily stocked soft core porn, but porn nonetheless. This always seemed a little odd to me with its strong links to children’s charities but certainly second time round that sort of thing wasn’t on the shelves.

I can’t imagine that it really rented that well as it all looked bloody awful, not that I’m an expert or anything, in fact I think we only rented them to two or three people, but then with titles like Lord of the G Strings and Illegally Buxom Blonde I don’t think the main film studios had anything to be concerned about.

On a final note before I lock up the store, quick now before the smokescreen system goes off and fills it completely like something out of a James Bond film – funnily enough this happened the first night upon my return to Blockbuster, with the smoke billowing out of the store anyone would have thought that the store was on fire!

I’m sure all Blockbuster employees have encountered the following…

  • A customer will always ask to rent the latest film…that has just been released at the cinema/isn’t even out at the cinema yet!
  • Even though you are closed, it clearly states what time you are open until, people will still try and return items/rent something because your lights are on. Note, cashing up is much harder in the dark, although I wasn’t much better at it lights or no lights.
  • Blocking – the term given to the task of correctly laying out how the boxes are displayed and that they are done neatly so and in the correct order. Whenever visiting your store when you aren’t working, another store or just any shop with a similar setup you will inexplicably be drawn to blocking like you have really bad OCD. Sorry HMV!

And so that’s it, another familiar name vanished from the high street. The reasons for that are a whole new article, that wasn’t the aim of this, the aim of this was to merely celebrate of sorts the life and times of Blockbuster employee.

Is is a shame though that you now can’t pop in and rent a film of your choice in person, I know you can do that on demand etc, but it just doesn’t feel the same for me, plus I like to read the box when vowing the film. Ho hum. I guess the follow up question now is just how long can HMV hold on for?

End of Days

As Buggles famously sang, video may have killed the video star but several factors killed the video store…of course it all really boils down to what killed Woolworths really, it was an outdated model and couldn’t really compete with online prices or, in the case of Blockbuster, postal rental services – it had one as well – but especially download services. People weren’t bothered about a physical DVD or Bluray (I am, I still love the extras and commentaries) nevermind a physical store.

I don’t know what has become of my first store but the one in Essex is now a cafe and my local rental stall now simply stands empty. I drive past it most days to work and its said to see it empty of people and all those dreams, now only memories remain.

My three year old daughter even liked running round the store and picking a Scooby-Doo, Pixar or Blue Sky title off the shelves. Growing up my local independent video store was Video Magic, back in those days we had Betamax, and I used to love browsing the titles on the giant video boxes, the artwork (it was practically an art gallery for me and although I didn’t see them until much later the artwork on the likes of Fright Night were ingrained in my memory, which may go some way to explaining my collecting of classic movie posters) and the cardboard standees.

Isabelle will never have that experience and that is exactly what it felt like, an experience, it was a real thrill to have to go to the video store and not know just what you were going to come back with, or ask the person who was working there ‘which is best?’ or ‘Have you seen?’. Nothing gave me greater pleasure than introducing someone to a film that they had never heard of that was brilliant, or perfect for a fan of this or that genre or averting a rental disaster when they go to rent a film that was terrible. People got to know you and trusted your valued opinion or knowledge, even if it was for only 90 mins we had helped improve someone’s day.

And that was all part and parcel of the fun of it all, no matter which side of the counter I was standing…

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Pat Higgins: There Will Be Blood

It’s a while since I last crossed paths with Essex’s most prolific horror film maker, Pat Higgins.  Since I last interviewed him he has become a first time dad and been back behind his word processor and the lens of a camera. Pat’s back and this time it’s personal. There will be terror, there will be death and you can be sure that…there will be blood!

It is the year 1981 and little Pat Higgins was getting his first taste of media exposure on local radio talking about horror. The film the six year old was talking about was David Cronenberg’s Scanners, the poster to be precise and the fact that it scared the bejesus out of him. It kind of reminded me of the phone in flashbacks to a young Norman Bates in Psycho IV: The Beginning, thus forever melding those words Higgins and horror as one.

Higgins has since made his peace with the head-exploding classic as that very same poster design now sits in his house, almost trophy like, although it’s more that it has captured him and his imagination than the other way round.

In some ways you could describe Pat as one part Wes Craven meets one part Quentin Tarantino. The 38 year old from Leigh, like Nightmare on Elm Street and Scream horrormeister Craven, is a college lecturer by day and , like Tarantino, used to work in a video shop, Blockbuster in Westcliff-on-Sea no less.

What screams may come then as rather than renting video nasties to the public, he is now making them and over his seven years helming and writing horror films he has built up quite the body of work (and number of bodies) that has seen him win numerous awards and also attend the Cannes Film Festival.

His latest feature, Nazi Zombie Death Tales, is a horror anthology, like Bordello Death Tales in features segments from the horror holy trinity of Higgins, Jim Eaves and Alan Ronald, and was released on DVD recently and is now available from the likes of Amazon, HMV and Asda.

For him this latest project, WW2 practically a horror sub-genre in itself these days, has been a fantastic experience for Pat. He said: “As both a horror fan and filmmaker, I’m massively proud of it and sees it as a really strong, commercial piece of work.”

Like most filmmakers he’s involved in several projects at various stages, both new and old, which also includes going back into the editing suite and delivering director cuts of two of his earlier efforts, Killer Killer, and The Devil’s Music.

Higgins first broke onto the horror scene with TrashHouse, which won him both rave reviews and the Best Screenplay Award at the Troma Fling in Edinburgh as well as Runner Up in Best UK Film, back in 2005, and with each passing film he has grown as a director, so what has he taken from each new project.

Pat said: “Really I’ve managed to pull one big lesson from each film I have written or directed. Hopefully this hones what I do better and to a degree it’s been me growing as a filmmaker in public and discovering what worked and didn’t work. TrashHouse is a movie with an awful lot of things that I would do differently today but I wouldn’t know how to do them differently if I hadn’t had made TrashHouse. You can’t look back with too much regret as long as you can take something away from it and learn from it.”

Higgins had TrashHouse bubbling in his head for a while before he decided to step behind the camera for the first time at the age of 29, sneaking it in before his 30th and ticking that item off his bucket list, which perhaps would be more appropriate if it were a bucket of blood list.

Keen to find out what influences we would find if we sliced open Pat’s brain open and it spilled out, his answers came thick and fast.

“Rubber monsters of a Gremlin’s ilk, huge giant squid knocking about in my brain from 20,000 leagues under the sea, always prominent and if they were cheaper to realise I would have probably made about four killer squid movie s by now.

The work of Fred Dekker, apart from Robocop 3. I just love Night of the Creeps and Monster Squad to pieces. Night of the Creeps is the closest blueprint to some of the stuff knocking around in my head at any one time. Also, Hitchcock from a narrative point of view and the suspense element is something always there in the mix.”

Asked whether he thought he has changed as a writer or director since becoming a dad, or see things from a different perspective, Higgins’ answer was clear.

“Absolutely, in terms of what you watch as well. You certainly react differently to different stimulus and the things that worried you when you were a teenager are probably very different things that worry you as an adult and then again as a parent. I’ve had conversations with much younger people who can’t understand why the Exorcist is a scary film.

I always say to them come back to me in 20 years time when you’ve got a child and then you’ll see why. The Exorcist doesn’t prey on the fears of teenagers it preys on the fears of parents, whereas something like Scream or Halloween I don’t put my self in the shoes of a baby sitter in peril. Screw and Die movies, for want of a better word, they don’t resonate with my own concerns as a parent. Those things do change and the horror movies you react to change.

Just because it is no longer the stuff that doesn’t keep me awake at the end of the night it doesn’t mean I still can’t tap into it. I can hopefully still empathise with that section of the audience still scared by the monster under the bed and the bogeyman and that kind of level of slasher horror. I might do slightly more when my daughter is a teenager.

Charlie Brooker recently said in an interview that becoming a parent is like being totally being reprogrammed in a second and I think that is true and if I were to pretend that it doesn’t impact the way you write something I’d be lyng.”

We already know what scared a five year Pat but what scares Pat Higgins on film and real life today? For Hitchcock it was famously the law and the police but according to IMDB for Higgins it is chainsaws, or is it?

Higgins puts the records straight, saying: “Weirdly enough that was written by an actor – I won’t name him – and he said I needed to have something interesting about me on IMDB and before I knew it that was there. Ten years later I nearly get asked it in every interview – its not true but I do get asked it an awful lot, even though I’m cheek to cheek with a chainsaw on my Twitter profile pic.

I think the sudden loss of the rules that you think are established for reality those crumbling are the things that bother me more than anything, that moment where the killer can walk through walls or is people around you conspiring against you. For me there is something in that reveal, something in the heart of that where the scare lies.”

For Higgins those scares begin at the writing stage, for him it is the most exciting stage of the journey. He concluded: “I love the writing and sadly I don’t get as much time to do it as I would like to. There should always be time for writing as it’s the seed from which all else springs.”

Somewhere, there is a five year old who has seen a Pat Higgins poster and is currently phoning up a radio station to complain about it…

Pat’s Entertainment! Those Pat Higgins films in full

TrashHouse (2005)

Simply put, five strangers take up a winner takes all challenge to test an experimental implant that grants their wildest wishes in a virtual world. One lives out his greatest sexual fantasies, another conjures a technological environment and sets about curing cancer, one can’t think of anything more interesting to do than sit in a chair and have money flutter about around him. Soon, dreams are shattered and the stuff of nightmares are unleashed in the form of monsters and zombies. Those who are dead are the lucky ones!

Hellbride (2007)

Everything is working out for Nicole Meadows. She has a great job. She has an adoring boyfriend who has just proposed. She has a doting father who is preparing the wedding. She also has a dark secret and a cursed engagement ring (as you do). Come the wedding day, there will be bloodshed, but at least there will be cake, too. Here comes the Hellbride…just don’t hold your breath for the honeymoon!

Killer Killer (2007)

In the middle of nowhere, sits a secure facility housing only serial killers. One morning the doors are open and the guards have vanished, but a strange freezing mist surrounds the building, preventing the inmates from leaving. Then, one by one, they are murdered. It’s time for the victims to take their vengeance…you’ll never look at a cheerleader in the same way again!

The Devil’s Music (2008)

The first film to document the strange story of notorious shock-rocker Erika Spawn. Spawn was briefly the most infamous woman in the world after her music had been linked to a series of real life murders.  It’s Spinal Tap meets Blair Witch as we see ever before seen footage showing us what became of Erika and how her final tour had a bloody end.

Bordello Death Tales (2009)

A unique, sexy and terrifying anthology movie in the tradition of Creepshow. This trilogy of terror delivers blood and boobs in buckets, welcome the macabre tales of The Ripper, Stitchgirl and Vice Day and discover, if you dare, how each tale is linked to the mysterious Madam Raven

Strippers Vs Werewolves (2012)

The title says it all really as werewolves have their eyes on the wrong bunch of women, these wolves have picked the wrong company. A screenplay credit here for Pat that sees his name on then credits but not necessarily his vision on screen. The cast does boast Robert Englund, Steven Berkoff, Lucy Pinder in her big screen debut and Martin Kemp.

Zombie Nazi Death Tales (2012)

War is truly hell with these three interlocking stories from the dark days of World War 2. A soldier on a suicide mission. A troubled family with a monster in their bomb shelter. A supernatural investigator on her most dangerous assignment yet. The war of horror has never been so real.