2015, okay so the self-lacing trainers aren’t with us yet, nor is Jaws 19 or those shocking pink hoverboards, but this year doesn’t just mark the year that Back to the Future Part 2 ‘happens’ it also marks the 30th anniversary of the original. Talk about heavy!
It doesn’t seem five minutes, never mind five years since we were celebrating 25 years of the original Robert Zemeckis classic, yet here we are. What was great then was that I was able to complete my original quad cinema movie poster collection with the re-release poster joining the original release Parts 2 and 3 posters which, like the films themselves, neatly riffed on the iconic original.
The 25th anniversary also saw the film head back into cinemas for a limited time, all cleaned up and looking amazing on the big screen, I’d missed it during its original run and caught it for the first time when it premiered on TV at Christmas and from the wall of ticking clocks was hooked.
Seeing it on the big screen after so many years of it on the small screen was a complete revelation and you really haven’t seen films like Back to the Future until you’ve seen them on the big screen, read my original 25th anniversary Back to the Future review here, but for the 30th anniversary we are going back…back to an even bigger experience.
This time we are heading to the Royal Albert Hall for a screening with a live orchestra playing the fantastically rousing Alan Silvestri score as the film unfolds, merging performance and cinema, and for me, delivering a far more vivid experience than the likes of the secret cinema offerings last year.
The Royal Albert Hall experience is part of a wider cinematic music bill, which also sees the venue play host to live performances and screenings of The Godfather, Breakfast at Tiffany’s and Titanic, the latter conducted by composer James Horner.
It will be our first time to the Royal Albert Hall, which will be amazing in itself but the real treat will be when on that screen we see the vastness of space give way to the rotating Universal globe as Steven Spielberg presents a Robert Zemeckis film…and the ticking clocks begin as we await the conductor’s baton to be raised.